Roz Chast - book author
Rosalind "Roz" Chast is an American cartoonist and a staff cartoonist for The New Yorker. She grew up in the Flatbush section of Brooklyn, the only child of an assistant principal and a high school teacher. Her earliest cartoons were published in Christopher Street and The Village Voice. In 1978 The New Yorker accepted one of her cartoons and has since published more than 800. She also publishes cartoons in Scientific American and the Harvard Business Review.
Chast is a graduate of Midwood High School in Brooklyn. She first attended Kirkland College (which later merged with Hamilton College) and then studied at the Rhode Island School of Design and received a BFA in painting in 1977. She also holds honorary doctorates from Pratt Institute and Dartmouth College, and is a member of the American Academy of Arts and Sciences. She is represented by the Danese/Corey gallery in Chelsea, New York City.
Roz Chast is the author of books: Can't We Talk about Something More Pleasant?, Going Into Town: A Love Letter to New York, What I Hate: From A to Z, Theories of Everything: Selected, Collected, and Health-Inspected Cartoons, 1978-2006, The Party after You Left, The Best American Comics 2016, Childproof: Cartoons about Parents and Children, Too Busy Marco, Around the Clock, Marco Goes to School
2014 NATIONAL BOOK AWARD FINALIST
In her first memoir, Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.
When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the "crazy closet"—with predictable results—the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed.
While the particulars are Chast-ian in their idiosyncrasies—an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades—the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.
An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.
A native Brooklynite-turned-suburban commuter deemed the quintessential New Yorker, Roz Chast has always been intensely alive to the glorious spectacle that is Manhattan--the daily clash of sidewalk racers and dawdlers; the fascinating range of dress codes; and the priceless, nutty outbursts of souls from all walks of life.
For Chast, adjusting to life outside the city was surreal--(you can own trees!? you have to drive!?)--but she recognized that the reverse was true for her kids. On trips into town, they would marvel at the strange visual world of Manhattan--its blackened sidewalk gum-wads, "those West Side Story-things" (fire escapes)--and its crazily honeycombed systems and grids.
Told through Chast's singularly zany, laugh-out-loud, touching, and true cartoons, Going Into Town is part New York stories (the "overheard and overseen" of the island borough), part personal and practical guide to walking, talking, renting, and venting--an irresistible, one-of-a-kind love letter to the city.
What I Hate is an A to Z of epic horrors and daily unpleasantries, including but by no means limited to rabies, abduction, tunnels, and the triple-layered terror of Jell-O 1-2-3. With never-before-published, full-page cartoons for every letter, and supplemental text to make sure the proper fear is instilled in every heart, Chast's alphabetical compendium will resonate with anyone well-versed in the art of avoidance- and make an instructive gift for anyone who might be approaching life with unhealthy unconcern.
–Roz Chast, from the Introduction
FEATURING Lynda Barry, Kate Beaton, Cece Bell, Geneviève Elverum, Ben Katchor, John Porcellino, Joe Sacco, Adrian Tomine, Chris Ware, Julia Wertz, and others
Roz Chast, guest editor, was born in Brooklyn, New York. Her cartoons began appearing in The New Yorker in 1978. Since then she has published hundreds of cartoons and written or illustrated more than a dozen books. Her memoir Can’t We Talk About Something More Pleasant? was a #1 New York Times bestseller and a 2014 National Book Award Finalist.
Bill Kartalopoulos, series editor, is a comics critic, educator, curator, and editor. He teaches courses about comics at Parsons and at the School of Visual Arts. He lives in Brooklyn, New York. For more information please visit: on-panel.com.
From 12 to 1, Lynn eats baloney
With her imaginary friend, Tony.
From 1 to 2, in his fanciest pants,
Don is digging a hole to France.
Do you ever wonder what your friends, enemies, brothers, sisters, and children are doing in the hours when you’re not there? This kooky twenty-four-hour tour of a day in the life of twenty-three different children will reveal answers from the absurd…to the hilarious…to the absurdly hilarious!
Beloved New Yorker cartoonist Roz Chast is at her finest in this picture book brimming with her trademark stamp of zany humor.
Marco is the busiest bird, and it’s time he goes to school! There is so much to do at school, from lessons to lunch to building a block tower to the moon! But Marco soon learns that his plans for the day may be just a bit too ambitious. Luckily, school has one extra surprise for him—and that’s a new friend!
In Marco’s latest wacky adventure, acclaimed cartoonist Roz Chast proves that it’s not getting to the moon that counts—it’s the friends we make along the way.