Brian Morton - book author
Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.
BRIAN MORTON is the author of four previous novels, including Starting Out in the Evening, which was a Salon favorite book of the year and was made into an acclaimed feature film, and A Window Across the River, which was a Book Club selection on the Today show. He is the director of the MFA program at Sarah Lawrence and teaches at New York University and the Bennington Writing Seminars.
Brian Morton is the author of books: Florence Gordon, Starting Out in the Evening, A Window Across the River, Breakable You, The Dylanist: A Novel, Deeper Thoughts and Sonnets: More poetry from, The Project: and other stories, The Christmas Kiss: and other stories, One Score and One: Poetry By, Getting Somewhere: and other stories
A wise and entertaining novel about a woman who has lived life on her own terms for seventy-five defiant and determined years, only to find herself suddenly thrust to the center of her family's various catastrophes.
Meet Florence Gordon: blunt, brilliant, cantankerous and passionate, feminist icon to young women, invisible and underappreciated by most everyone else. At seventy-five, Florence has earned her right to set down the burdens of family and work and shape her legacy at long last. But just as she is beginning to write her long-deferred memoir, her son Daniel returns to New York from Seattle with his wife and daughter, and they embroil Florence in their dramas, clouding the clarity of her days with the frustrations of middle-age and the confusions of youth. And then there is her left foot, which is starting to drag.
With searing wit, sophisticated intelligence, and a tender respect for humanity in all its flaws, Brian Morton introduces a constellation of unforgettable characters. Chief among them, Florence, who can humble the fools surrounding her with one barbed line, but who eventually finds there are realities even she cannot outsmart.
Fueled by their rediscovered love, Nora is soon on fire with the best work she's ever done, until she realizes that the story she's writing has turned into a fictionalized portrait of Isaac, exposing his frailties and compromises and sure to be viewed by him as a betrayal. How do we remain faithful to our calling if it estranges us from the people we love? How do we remain in love after we have seen the very worst of our loved ones? These are some of the questions explored in a novel that critics are calling "an absolute pleasure" (The Seattle Times).