Janet Fitch - book author
Janet Fitch was born in Los Angeles, a third-generation native, and grew up in a family of voracious readers. As an undergraduate at Reed College, Fitch had decided to become an historian, attracted to its powerful narratives, the scope of events, the colossal personalities, and the potency and breadth of its themes. But when she won a student exchange to Keele University in England, where her passion for Russian history led her, she awoke in the middle of the night on her twenty-first birthday with the revelation she wanted to write fiction. "I wanted to Live, not spend my life in a library. Of course, my conception of being a writer was to wear a cape and have Adventures." She has acquired a couple of capes since then, and a few adventures. And books.
Her current novel, THE REVOLUTION OF MARINA M. paints a portrait of a young poet coming of age during the Russian Revolution. Her next book, the completion of Marina's story, CHIMES OF A LOST CATHEDRAL will appear in July 2019. Her last novel PAINT IT BLACK was just made into a feature film, available on NETFLIX.
Janet Fitch is the author of books: White Oleander, Paint it Black, The Revolution of Marina M. (The Revolution of Marina M. #1), Kicks, Chimes of a Lost Cathedral (The Revolution of Marina M. #2), Revolution of Marina M (2 Book Series), Chimes of a Lost Cathedral: Revolution of Marina M. #02, A Writer's Book of Days: A Spirited Companion and Lively Muse for the Writing Life, My First Novel, Los Angeles Noir
As Josie struggles to understand Michael's death and to hold onto the world they shared, she is both attracted to and repelled by his pianist mother, Meredith, who blames Josie for her son's torment. Soon the two women are drawn into a twisted relationship that reflects equal parts distrust and blind need.
With the luxurious prose and fever pitch intensity that are her hallmarks, Janet Fitch weaves a spellbinding tale of love, betrayal, and the possibility of transcendence.
St. Petersburg, New Year's Eve, 1916. Marina Makarova is a young woman of privilege who aches to break free of the constraints of her genteel life, a life about to be violently upended by the vast forces of history. Swept up on these tides, Marina will join the marches for workers' rights, fall in love with a radical young poet, and betray everything she holds dear, before being betrayed in turn.
As her country goes through almost unimaginable upheaval, Marina's own coming-of-age unfolds, marked by deep passion and devastating loss, and the private heroism of an ordinary woman living through extraordinary times. This is the epic, mesmerizing story of one indomitable woman's journey through some of the most dramatic events of the last century.
After all, Carla has parents who let her do anything she wants. Laurie's mother keeps her on a short leash, demanding that she keep the house clean, cook for her sick father, and stay out of trouble. Still, at Carla's instigation, they manage to keep things on the street exciting. Sometimes it's shoplifting, sometimes it's hitching a ride, sometimes it's smoking and flirting on the beach with older guys. If Laurie could only be as brave and daring as Carla, she knows her life would be a lot more interesting.
But Laurie also knows that Carla sometimes takes crazy chances. And one night when Carla is in trouble only Laurie can help her--only Laurie and one other person, someone who loves Laurie more than she realizes, someone who would do anything to be with her. . . .
"Capture[s] the dark underside of growing up . . . Teens will empathize with Laurie's desire to be free from familial rules and responsibilities, and the realism of some scenes will horrify yet fascinate them".
--School Library Journal
After the events of The Revolution of Marina M., the young Marina Makarova finds herself on her own amid the devastation of the Russian Civil War -- pregnant and adrift in the Russian countryside, forced onto her own resourcefulness to find a place to wait out the birth of her child. She finds new strength and self-reliance to fortify her in her sojourn, and to prepare her for the hardships and dilemmas still to come.
When she finally returns to Petrograd, the city almost unrecognizable after two years of revolution, the haunted, half-emptied, starving Capital of Once Had Been, she finds the streets teeming with homeless children, victims of war. Now fully a woman, she takes on the challenge of caring for these Civil War orphans, until they become the tool of tragedy from an unexpected direction.
But despite the ordeal of war and revolution, betrayal and privation and unimaginable loss, Marina at last emerges as the poet she was always meant to be.
Chimes of a Lost Cathedral finishes the epic story of Marina's journey through some of the most dramatic events of the last century -- as a woman and an artist, entering her full power, passion and creativity just as her revolution reveals its true direction for the future.
Alan Watt, editor of My First Novel and founder of L.A. Writers’ Lab’s 90-Day Novel Workshops, states, “The goal of this book was to demystify the creative experience, to level the playing field, to say to the writer who was struggling with his novel late at night in the garage of his parent’s house in Walla Walla, that you are no different than any of these other writers, and to keep going, and yes, at times it really is that difficult and scary, but that you are not alone, and you are up to the challenge, and here are twenty-five separate road maps to the same destination.”
Cheryl Strayed (author of the international bestseller, Wild) recounts her experience of writing her first novel, Torch. “I know this sounds crazy, but it’s true: I thought that Torch would write itself. Or rather, that something magical would happen that would make it be written, a force that would take me into its grips and enable me to write a book without too much suffering.”
Rick Moody (award-winning author of The Ice Storm) writes, “For Garden State, it only mattered what I believed was true . . . Music taught me a lot of whatever I know about prose, about the way that prose should sound . . . after I finished Garden State, it was rejected by every publisher in New York.”
Aimee Bender, whose first book was the celebrated short story collection, The Girl in the Flammable Skirt, tells us, “The moral for me, is something like: work with what you have, not what you might have, or what the market wants. If there’s a book that’s done, that feels to you like a ready book, like a book tugging to leave the booknest, then push for that book, or at least try.”
My First Novel: Tales and Woe and Glory, is not a book about how to write; it is a book about why we write, and what makes us persist, and the reasons are as personal as they are universal.