Emily St. John Mandel - book author
Emily St. John Mandel was born and raised on the west coast of British Columbia, Canada. She studied contemporary dance at the School of Toronto Dance Theatre and lived briefly in Montreal before relocating to New York.
She is the author of five novels, including The Glass Hotel (spring 2020) and Station Eleven (2014.) Station Eleven was a finalist for a National Book Award and the PEN/Faulkner Award, won the Morning News Tournament of Books, and has been translated into 34 languages. She lives in NYC with her husband and daughter.
Emily St. John Mandel is the author of books: Station Eleven, Last Night in Montreal, The Lola Quartet, The Singer's Gun, The Glass Hotel, Mr. Thursday, Goodbye to All That: Writers on Loving and Leaving New York, This Is What a Librarian Looks Like: A Celebration of Libraries, Communities, and Access to Information, The Late American Novel: Writers on the Future of Books, Venice Noir
One snowy night a famous Hollywood actor slumps over and dies onstage during a production of King Lear. Hours later, the world as we know it begins to dissolve. Moving back and forth in time—from the actor's early days as a film star to fifteen years in the future, when a theater troupe known as the Traveling Symphony roams the wasteland of what remains—this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor's first wife, his oldest friend, and a young actress with the Traveling Symphony, caught in the crosshairs of a dangerous self-proclaimed prophet.
Besides, Eilo has shown him a photo of a ten-year-old girl who could be homeless and in trouble. The little girl looks strikingly like Gavin and has the same last name as his high school girlfriend, Anna, from a decade ago. Gavin, obsessed with film noir and private detectives and otherwise at loose ends, begins his own private investigation in an effort to track down Anna and their apparent daughter—an investigation that soon takes a surprisingly dangerous turn.
High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients' accounts. He holds the life savings of an artist named Olivia Collins, the fortunes of a Saudi prince and his extended family, and countless retirement funds, including Leon Prevant's. The collapse of the financial empire is as swift as it is devastating, obliterating fortunes and lives, while Vincent walks away into the night. Until, years later, she steps aboard a Neptune-Avramidis vessel, the Neptune Cumberland, and disappears from the ship between ports of call.
In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.
This short story was commissioned and edited jointly by Future Tense—a collaboration among Arizona State University, New America, and Slate—and ASU’s Center for Science and the Imagination. It is the second in Future Tense Fiction, a series of short stories from Future Tense and CSI about how technology and science will change our lives.
In 1967, Joan Didion wrote an essay called Goodbye to All That, a work of such candid and penetrating prose that it soon became the gold standard for personal essays. Like no other story before it, Didion's tale of loving and leaving New York captured the mesmerizing allure Manhattan has always had for writers, poets, and wandering spirits.
In this captivating collection, 28 writers take up Didion's literary legacy by sharing their own New York stories. Their essays often begin as love stories do, with the passion of something newly discovered-the crush of subway crowds, the streets filled with manic energy, and the certainty that this is the only place on Earth where one can become exactly who she is meant to be.
They also share the grief that comes when the metropolis loses its magic and the pressures of New York's frenetic life wear thin on even the most fervent dwellers. As friends move away, rents soar, and love-still- remains just out of reach, each writer's goodbye to New York is singular and universal, like New York itself.
With Cheryl Strayed, Dani Shapiro, Emma Straub, Ann Hood, and more.
Scholars, journalists, and publishers have turned their brains inside out in the effort to predict what lies ahead, but who better to comment on the future of the book than those who are driven to write them?
In The Late American Novel, Jeff Martin and C. Max Magee gather some of today’s finest writers to consider the sea change that is upon them. Lauren Groff imagines an array of fantastical futures for writers, from poets with groupies to novelists as vending machines. Rivka Galchen writes about the figurative and literal death of paper. Joe Meno expounds upon the idea of a book as a place set permanently aside for the imagination, regardless of format. These and other original essays by Reif Larsen, Benjamin Kunkel, Victoria Patterson, and many more provide a timely and much-needed commentary on this compelling cultural crossroad.
Original stories by: Peter James, Emily St. John Mandel, Barbara Baraldi, Mike Hodges, Mary Hoffman, Maria Tronca, Matteo Righetto, Tony Cartano, Francesco Ferracin, Isabella Santacroce, Michelle Lovric, Francesca Mazzucato, Maxim Jakubowski, and Michael Gregorio.
Maxim Jakubowski is a British editor and writer. Following a long career in book publishing, during which he was responsible for several major crime imprints, he opened London's mystery bookshop Murder One. He reviews crime fiction for the Guardian, runs London's Crime Scene Festival, and is an advisor to Italy's annual Courmayeur Noir in Festival. His latest crime novel is Confessions of a Romantic Pornographer, and he edits the annual Best British Mysteries series.
“Drifter” by Emily Mandel was selected for inclusion in The Best American Mystery Stories 2013, edited by Otto Penzler and Lisa Scottoline