Elizabeth Hay - book author
From Elizabeth Hay's web site:
"Elizabeth Hay was born in Owen Sound, Ontario, the daughter of a high school principal and a painter, and one of four children. When she was fifteen, a year in England opened up her world and set her on the path to becoming a writer. She attended the University of Toronto, then moved out west, and in 1974 went north to Yellowknife in the Northwest Territories. For the next ten years she worked as a CBC radio broadcaster in Yellowknife, Winnipeg, and Toronto, and eventually freelanced from Mexico. In 1986 she moved from Mexico to New York City, and in 1992, with her husband and two children, she returned to Canada, settling in Ottawa, where she has lived ever since.
In 2007 Elizabeth Hay's third novel, Late Nights on Air, won the Scotiabank Giller Prize. Her first novel was A Student of Weather (2000), a finalist for the Giller Prize, the Ottawa Book Award, and the Pearson Canada Reader's Choice Award at The Word on the Street, and winner of the CAA MOSAID Technologies Inc. Award for Fiction and the TORGI Award. Her second novel, Garbo Laughs (2003), won the Ottawa Book Award and was shortlisted for the Governor General's Award. Hay is also the author of Crossing the Snow Line (stories, 1989); The Only Snow in Havana (non-fiction, 1992), which was a co-winner of the Edna Staebler Award for Creative Non-fiction; Captivity Tales: Canadians in New York (non-fiction, 1993), and Small Change (stories, 1997), which was a finalist for the Governor General’s Award, the Trillium Book Award, and the Rogers Communications Writers’ Trust Fiction Prize. Hay received the Marian Engel Award for her body of work in 2002."
Elizabeth Hay is the author of books: Late Nights on Air, Alone in the Classroom, A Student of Weather, His Whole Life, All Things Consoled: A Daughter's Memoir, Garbo Laughs, Small Change, The Only Snow in Havana, Captivity Tales: Canadians in New York, Crossing The Snow Line
Harry Boyd, a hard-bitten refugee from failure in Toronto television, has returned to a small radio station in the Canadian North. There, in Yellowknife, in the summer of 1975, he falls in love with a voice on air, though the real woman, Dido Paris, is both a surprise and even more than he imagined.
Dido and Harry are part of the cast of eccentric, utterly loveable characters, all transplants from elsewhere, who form an unlikely group at the station. Their loves and longings, their rivalries and entanglements, the stories of their pasts and what brought each of them to the North, form the centre. One summer, on a canoe trip four of them make into the Arctic wilderness (following in the steps of the legendary Englishman John Hornby, who, along with his small party, starved to death in the barrens in 1927), they find the balance of love shifting, much as the balance of power in the North is being changed by the proposed Mackenzie Valley gas pipeline, which threatens to displace Native people from their land.
Elizabeth Hay has been compared to Annie Proulx, Alice Hoffman, and Isabel Allende, yet she is uniquely herself. With unforgettable characters, vividly evoked settings, in this new novel, Hay brings to bear her skewering intelligence into the frailties of the human heart and her ability to tell a spellbinding story. Written in gorgeous prose, laced with dark humour, Late Nights on Air is Hay’s most seductive and accomplished novel yet.
Connie’s niece, Anne, tells the story. Impelled by curiosity about her dynamic, adventurous aunt and her more conventional mother, she revisits Connie’s past and her mother’s broken childhood. In the process, she unravels the enigma of Parley Burns and the mysterious (and unrelated) deaths of two young girls. As the novel moves deeper into their lives, the triangle of principal, teacher, student opens out into other emotional triangles – aunt, niece, lover; mother, daughter, granddaughter – until a sudden, capsizing love thrusts Anne herself into a newly independent life.
This spellbinding tale – set in Saskatchewan and the Ottawa Valley – crosses generations and cuts to the bone. It probes the roots of obsessive love and hate, how the hurts and desires of childhood persist and are passed on as if in the blood. It lays bare the urgency of discovering what we were never told about the past. And it celebrates the process of becoming who we are in a world full of startling connections that lie just out of sight.
Following her award-winning, #1 bestselling Late Nights on Air, Alone in the Classroom is Elizabeth Hay’s most intricate, compelling, and seductive novel yet
At the outset ten-year-old Jim and his Canadian mother and American father are on a journey from New York City to a lake in eastern Ontario during the last hot days of August. What unfolds is a completely enveloping story that spans a few pivotal years of his youth. Moving from city to country, summer to winter, wellbeing to illness, the novel charts the deepening bond between mother and son even as the family comes apart.
Set in the mid-1990s, when Quebec is on the verge of leaving Canada, this captivating novel is an unconventional coming of age story as only Elizabeth Hay could tell it. It draws readers in with its warmth, wisdom, its vivid sense of place, its searching honesty, and nuanced portrait of the lives of one family and those closest to it. Hay explores the mystery of how members of a family can hurt each other so deeply, and remember those hurts in such detail, yet find openings that shock them with love and forgiveness. This is vintage Elizabeth Hay at the height of her powers.
As the daughter takes charge, and the writer takes notes, her mother and father are like two legendary icebergs floating south. They melt into the ocean of partial, painful, inconsistent, and funny stories that a family makes over time. Hay's eloquent memoir distills these stories into basic truths about parents and children and their efforts of understanding.
With her uncommon sharpness and wit, Elizabeth Hay offers her insights into the peculiarities of her family's dynamics--her parents' marriage, sibling rivalries, miscommunications that spur decades of resentment all matched by true and genuine love and devotion. Her parents are each startling characters in their own right--her mother is a true skinflint who would rather serve up wormy soup (twice) than throw away an ancient packet of "perfectly good" mix; her father is a proud and well-mannered man with a temper that can be explosive.
All Things Consoled is a startlingly beautiful memoir that addresses the exquisite agony of family, the unstoppable force of dementia, and the inevitability of aging.
Inflamed by the movies she was deprived of as a child, Harriet Browning forms a Friday-night movie club with three companions-of-the-screen: a boy who loves Frank Sinatra, a girl with Bette Davis eyes, and an earthy sidekick named after Dinah Shore.
Into this idiosyncratic world, in time with the devastating ice storm of 1998, come two refugees from Hollywood: Harriet’s Aunt Leah, the jaded widow of a screenwriter blacklisted in the 1950s, and her sardonic, often overbearing stepson, Jack. They bring harsh reality and illuminate the pull of family and friendship, the sting of infidelity and revenge, the shock of illness and sudden loss.
Poignant, brilliant, and delightfully droll, Garbo Laughs reveals how the dramas of everyday life are sometimes the most astonishing of all.