Richard Sala - book author
Richard Sala grew up with a fascination for musty old museums, dusty old libraries, cluttered antique shops, narrow alleyways, hidden truths, double meanings, sinister secrets and spooky old houses. He has written and drawn a number of unusual graphic novels which often combine elements of classic mystery and horror stories and which have been known to cause readers to emit chuckles as well as gasps. Although most of his books are written with teens and older readers in mind, his book, CAT BURGLAR BLACK, can be enjoyed by younger readers as well.
To view current art and activity, please visit: http://richardsala.tumblr.com
Note: I am new to GoodReads ~ and I am happy to have a place dedicated to sharing my love of books with other book lovers. Please be patient with me if I seem rather slow and clumsy! Thanks to all my readers over the years!
Richard Sala is the author of books: Delphine, Cat Burglar Black, The Hidden, Chuckling Whatsit, Peculia, The Grave Robber's Daughter, Mad Night, Featuring Judy Drood, Girl Detective, Peculia and the Groon Grove Vampires, Violenzia and Other Deadly Amusements, In A Glass Grotesquely
Originally serialized as part of the acclaimed international series, Delphine is executed in a rich and ominous duotone that shows off Sala's virtuosity just as much as last year's full-color post-apocalyptic horror fantasy The Hidden did; punctuated with stunning full-color chapter breaks.
When K. Westree arrivse at Bellsong Academy, she thinks she's left her cat-burgling past behind her. But K. soon discovers the school has a mystery of its own, a hidden treasure left behind by its founder, and she's the only one who has a hope of finding it. As she resumes her cat-burgling in an attempt to discover the school's secrets, K. begins to question if a normal life is really what she wants.
Take a walk with the dazed survivors of a mysterious worldwide catastrophe. They are bound for a place, somewhere in the desert, where a terrible truth awaits them.
In The Chuckling Whatsit, Sala weaves the gothic cartooning traditions of Edward Gorey and Charles Addams with a densely constructed, melodramatic murder mystery involving astrology, ghouls, academia and outsider art. Part noir, part horror and part comedy, this labyrinthian tale of intrigue follows an unemployed writer named Broom who becomes unwittingly ensnared in a complex plot involving mysterious outsider artist Emile Jarnac, the shadowy machinations of the Ghoul Appreciation Society Headquarters (GASH), and the enigmatic Mr. Ixnay. Sala's deadpan delivery makes this ingeniously layered narrative a roller-coaster ride of darkly pure comic suspense.
Sala's drawing style, while most often compared to Edward Gorey, also reveals the influence of everything from Hollywood monster movies and Dick Tracy to German expressionism and Grimm's fairy tales. It's a style that's perfectly suited to the narrative, constantly flirting with Sala's fascination for the grotesque and lending palpable tension to the gruesome riddle of The Chuckling Whatsit.
Sala's eclectic career includes contributions to Art Spiegelman's RAW magazine, MTV's Liquid Television, The New York Times, Playboy and his ongoing Evil Eye comic book series from Fantagraphics, though The Chuckling Whatsit remains his most popular work.
Then parents in the town began to get sick, followed by the teachers, doctors and the sheriff's department. The children of Obidiah's Glenn become suddenly wild, roaming about at night with crazed looks in their eyes. Paisley realizes she had to do something to stop what she saw happening--but there wasn't anyone left in town who seemed to be able to help. So she sends a letter to someone she hoped might listen, someone who would know what to do--a friend of her late sister's from college, a self-styled "girl detective" with a questionable reputation named Judy Drood.
Her only hope is that Judy will arrive in time to save her town--and to prevent her from ending up as yet another exhibit in the dark carnival's Hall of Embalmed Abominations!
The Grave Robber's Daughter is another fast-paced, delirious ride from the author of the critically acclaimed The Chuckling Whatsit ("A masterpiece!" --Rue Morgue Magazine) and marks the return of Judy Drood, Girl Detective, last seen thwarting the murderous plans of a group of demented college professors in Sala's 2005 epic mystery-thriller Mad Night. The Grave Robber's Daughter is filled with Sala's unique blend of horror and whimsy that will please his many fans and new readers alike.
For those who always thought the animated introductions to PBS's Mystery! series were cooler than the actual shows themselves, Richard Sala's marvelously dark and stormy novel-length thrillers are just the ticket.
In Mad Night, his follow-up to The Chuckling Whatsit, Sala follows ace detective Judy Drood and her reluctant companion Kasper Keene as they try to unravel a string of mysterious occurrences and heinous murders in the usually tranquil Lone Mountain College. What is the sinister secret of Professor Massimo Ibex? How is the (literal) puppet mistress Aunt Azalea and her bevy of beauteous pirate girls involved? Where does the lithping, er, lisping, corrupt cop Pinch fit in? And what exactly is the significance of the Glass Scorpion?
Sala's superbly elegant, shadowy draftsmanship and wittily spooky storytelling make Mad Night a wonderful romp for fans of gothic horror-part Dario Argento (stabbings! eye-gougings! decapitations!), part Edward Gorey (eerie creatures of the night! sinister alleyways!), but all fun from the first page to the last.
For years, Sala has promised his readers a full-length "Peculia" novel that would shed some light on the background of the intrepid young wanderer, and they won't be disappointed. No previous exposure to any of Sala's stories is necessary, however. In fact, anyone who likes a little chuckle with their chills, anyone who enjoys curling up with tales of vampires and other things that go bump in the night, will want to get their claws on this before the next full moon.